so it's inverted, occupying the same position as always

by Anne Guthrie

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The playing and improvisations of Brooklyn-based French horn player Anne Guthrie have been uncommonly personal and physical, exploring the relationship with her own instrument as much as the music she can produce with it. These qualities are abundant on so it’s inverted… . A fellow traveler with New York improvisers and composers like Ben Owen (NTR018) and Billy Gomberg, Guthrie’s integration of conventional playing, sound formations, and unhurried pacing has garnered a lot of positive attention in several releases over the past few years. Here, Guthrie works from field recordings made in Costa Rica, gently improvising along with them using effected and extended techniques. Her sparse and purposeful playing attunes the listener to her immediate environment, a rarely achieved blending of spaces and times.


released April 15, 2013

Anne Guthrie - French horn with AMT LSW microphone, parabolic microphone by Telinga (Twin Science model) and Sony PCM D50 recorder

Mastered by Billy Gomberg

Artwork and layout by E. Lindorff-Ellery
Insert photograph by Anne Guthrie (not included here)
Letterpress printed by John Fitzgerald at Fitzgerald Letterpress, New Orleans

Byron Coley / The Wire
Frans de Waard / Vital Weekly
Julien Héraud / Improv Sphere


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Notice Recordings Kingston, New York

Notice Recordings started in Chicago in 2009. We are now based in Kingston, NY, and New Orleans, LA. We release experimental and contemporary sound works. Notice Recordings is run by Evan Lindorff-Ellery (NY) and Travis Bird (LA).

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